Matthew Brennan

Navigate

Poke a hole with the needle and then draw an almost circle. Navigate. Find your pathway using nothing but the longitude and latitude. You are infinitely lost, and yet you continue to believe that you can chart a course across my face. But I am 18th century oceans. I am unknown. There's never been a trip to space. There is no way to know the tides or the shorelines of who I am or how I feel. There are things hidden in me that can make life impossible for you. So you take your chances with your little boat. You can blow the sails as hard as you want, but you will never be strong enough to cross me. I am shifting. The coral bends this way and pierces your skin. And the fish that are dangerous will find you even if you sleep on dry land. The shark is my appetite and the whale is my muscle. All throughout the blackness, you will find the jellyfish who are my envy and my greed and all my other deadly sins. Sins that can sting you from one side to the other. I am dangerous. I am poison. And I am struggling to keep my head above the water. I broke my pathways. I am lost channels. I am a map with words that leak and disappear. I am a man who can't be mapped and yet here I am, rolled out on your dining room table. And you press your face against me, looking for the cheats. Looking for the corners that can be cut and the seaways that won't capsize your boat and kill your outmatched crew.

A Bucket

of Rags

You can say it was a long week, but I knew the problem was bigger than that. It was as if all of my bones had been splintering and chipping for months, and when I sat down tonight I realized there was nothing left to hold me up. I saw my body becoming a bucket of rags. Wet towels. Dirty scraps. I didn't know what was going to make my blood pump or my skin grow, and I didn't care. I simply sat in the only chair where no one else was sitting and did my best to stay matter. I was a beautiful lighter that can only make sparks but no flames. Useless. I had once been something that could breathe and move and make others listen to him when he spoke, but now I was less important than the shadows. In fact I heard the shadows whisper one to the other, “when do you think you might be leaving?” It was a party or a funeral. It didn't matter. There was food and noise and corners full of laughter. There was a staircase full of tears. I sat there for over an hour before I realized that they were here for me. When you sit in one place long enough you can easily forget you’re there. And even though there were people there trying to remind me, I was blissfully locked up in a medicine cabinet upstairs right above the ancient pink bathroom sink. I was an old bottle of pills that did nothing but soften your stool or harden your heart. I wasn't sure. I couldn't read my label backwards in the mirror. But every 5 minutes some teenager rushed into the bathroom and unscrewed my head and tried to swallow what was left of me. But I was only dust. Particles of my skull. There wasn't enough of me to get anyone high, and when they realized their mistake they cursed me and left me broken on the soft tile floor.

The Emptiness

Between Us

I couldn't erase your touch. Not in my mind. Not from my body. You reached across the emptiness between us and put your hand on me. It wasn't an accident. You did it elegantly. Now so many years later, I still can't stop remembering. I twist myself into knots in my bedtime bed, and I forget which hand is mine and which was yours. I imagine the two of us back where we were, only instead of space or time there's literally nothing between us. Your hand is on me again, but now I am soft like butter. And you are squeezing me between your fingers. And I am greasy. I am warm. You could use me to cook anything right now. Who cares about your heart. Or my heart. The only heart health I'm thinking about is the tripling beat running through my body like a child who needs the bathroom but doesn't know which door burst through. You are the open window that keeps knocking my blinds from the left to the right. The wind is heavy tonight, but I imagine the noise is you and me. I don't mean to be base. I don't mean to be improper. But it was your hand on my leg, and I was tired. But I wasn't tired. I was scared. I was terrified. I didn't know what to say or do. I have looked at your hand for 20 years, and it didn't seem like it was going to move. When you realized I wasn't butter, you left me. The hand lifted. And there wasn't a word or even a blink. Neither one of us acknowledged what had just happened. Yet I've been acknowledging it ever since. Because we should have been a wrestling match. We should have bruised our bodies into each other. Since then there have been other hands on other parts, but nothing turned me into lard. If you had put me in a frying pan back when we were within an arm's length, I would have cooked bacon. I would have cooked onions. I would have made the best grilled cheese. You were my grilled cheese sandwich so perfectly cooked, and I was the mouth that wouldn't open. My lips were sewn shut that night. I was afraid of food. And I have been dreaming of swallowing you ever since.

Words

She was cursive letters, and I was hacked on a typewriter. It was awkward for us to communicate this way, but a consonant is a consonant no matter how you spell it. Once the words filled up her mouth, they could come into my mouth so easily. Then we could speak with our lips pressed together, shaping the letters of the words that we wanted to say. It took time, but we had time. And I was happy to forget the rules I knew of grammar. She was all thought and action with no spaces between her words. They came together quickly. I did my best to pick out every third one, but her hand on my thigh and her hair in my face said enough. They were proclamations in the end. Official documents that even the Pope would know how to sign. I wrote my letters on every single one of her words, and she filled me with her meanings. They wrapped around her tongue and then found the cracks of my tattered body. There were still parts of me that worked. My hands found her face. My eyes studied all the shadows and curves of her cursive body. She wrote with a flourish and without a lot of thought. The ink came directly from her chest. Her heart pumped the messages onto the page. So we pulled the covers off the bed and made the white sheets our paper. And somehow together we wrote the story that can only be written with two hands and two hearts and two sets of lips mouthing everything in sync.

The Waiting

Room

I never thought that any of my thoughts could ever do anything much but sit around in a waiting room, looking at magazines that had the address torn off. These were magazines about nothing at all. Men's health. Women's health. Tennis. I don't know. I sat in the waiting room of my mind, and I looked at the glossy pictures. I was hoping at least one of them would be beautiful. This was my mind until I let my mind get angry at itself. Because one night I got very angry at myself. I started to shout. I was alone, but I knew my neighbors could hear me because I could hear my neighbors when they shouted at each other. I was shouting. I was going to teach myself a lesson. There were other parts of me that wanted to fight as well. We were all putting down our eyeglasses. I was going to destroy the furniture of my waiting room tonight. I was going to make the receptionist slide that glass window shut. I was going to make things dangerous for even the oldest woman who was sitting there waiting so quietly. I didn't care about her that night. I was angry. I was going to wrestle myself. I was going to wrestle any other arm or leg that got in the way. I didn't care. My mind was finally at a place where I had had enough. It was time to disrupt things. I was going to break the needle. I was going to set the 33 record to 45. I was going to make trouble. My grandparents would have looked away. I would have looked away. I wanted to make marks on the walls. I wanted to tear the sheets from my bed. I wanted to stand on the top buckle and fly into the battle royale with myself. I was going to wrestle every last one of them, and they had no chance tonight. Nothing was choreographed except that my victory was guaranteed. It was my turn to take the title belt. I wasn't going to miss this opportunity to slam myself into the mat. And that's what I did. I took out every last one of my own thoughts and my own ambitions and my own reservations, and I destroyed myself. I was cursing. I was shouting at the top of my lungs. My neighbors were banging on the walls. Fuck my neighbors. There were parts of me that were in shock, and those were the parts that were the easiest to overwhelm. I put them in a sleep hold. I made them tap out. And then there were parts of me that had been angry for so long. Those were the parts that had weapons hidden in their shoes. But I didn't care. I didn't care if I bled. I didn't care if I was wounded. I was going to say what needed to be said. I told myself that it was time to step out of the waiting room and to step into traffic. Because you could cross anywhere you wanted. It didn't matter if the light was red or green. All you had to do was look for the open space and then you could take off. You could be wherever you wanted to be. You didn't have to care if the address on the magazine was legible or not. Let them come to your home. They will hear the noise. They will be scared. And they will knock on your neighbor's door because even though your neighbor is noisy they just don’t sound as violent as you.

Author: Derek Letsch

Artist: Matthew Brennan

Bio

Matthew Brennan is based out of New York City with a studio located in Greenpoint, Brooklyn.  He was trained at Pratt Institute and received a Bachelor of Fine Arts With Honors.  Since 2005, his drawings, paintings and sculptures have been exhibited in shows throughout the country.  Brennanʼs artistic practice is rooted in drawing and he has been an active member of the figure drawing community within NYC.  Aside from personal exhibition, his work has been printed in the New York Times and he has completed many prop and puppet fabrication jobs for clients including The Jim Henson Company, Puppet Heap and The New York City Opera.  These build based jobs help him think dimensionally and this greatly adds to the way he composes and constructs within a drawing.  Brennan had his first solo show in April of 2018 where he showcased four years of drawings based on the inspiration of fish and music translated to human movement.  Currently, his new body of work includes bodies engaged in state change and transmutation.

For all inquiries or information contact

Mbwebhouse@gmail.com